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1/06/05: Nessa: Fantastic movie Erik Childress is a dickhead: 1/06/05: Green Gremlin: a great musical is trashed. Know about Film reviews, lead cast & crew, photos & video gallery on BookMyShow. Set in the late nineteenth century, the movie benefits from spectacular sets and costumes. It retains much of the bravado, spectacle, depth, and gorgeous, haunting melodies of Andrew Lloyd Webber’s popular Broadway show. This Blu-ray version was minted from the same master as the HD DVD, and is also presented in 1080p/VC-1 video. THE PHANTOM OF THE OPERA is the most sumptuous, most beautiful movie of the year.
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"The Phantom of the Opera" is rated PG-13 for violence (swordfighting, strangulation and a beating) and some disturbing images, scattered use of mild profanity, glimpses of nude artwork (and a male backside), and some vulgar behavior. If you dont have a good phantom in THE PHANTOM OF THE OPERA, you dont have a good movie. The Phantom of the Opera (2004), Fantasy Musical Thriller released in English language in theatre near you. A lavish, sumptuously-mounted film, 'Phantom' is certainly overflowing with color, texture and subtle lighting, which quite frankly got somewhat lost on the still-fine-looking standard DVD release from 2005. And the rather sluggish pacing makes the whole thing seem even longer. However, waiting in the wings is Christine's musical coach, the mysterious Phantom (Butler) who is proud of his protZgZ but more than a little jealous of the attention Raoul is paying to her.Īll three leads are fairly inexpressive when they're not singing, and Butler's musical talents leave a lot to be desired. To everyone's surprise, Christine shines in her moment in the spotlight, impressing not only the crowd but also the theater's new patron, Raoul (Patrick Wilson), who just happens to be her childhood sweetheart. She's given the chance to perform as the lead soprano in the opera's latest production when the resident diva, Carlotta (Minnie Driver), storms off in a huff. Most of the story - except the black-and-white wraparound sequences - is set in 1870s Paris, in the Opera Populaire, which is where young chorus girl Christine Daae (Emmy Rossum) finds herself. It's clear that this kind of cornball, overly melodramatic material is best kept to the stage.Īlso, director Joel Schumacher's trademark garish and grotesque visual aesthetic might seem well-suited to such a project, but it actually works to the detriment of the movie, making it feel even more cheesy.Īs far as its faithfulness to the source material is concerned, composer Andrew Lloyd Webber's ber-popular stage musical is pretty much the same on the big screen, with even bigger production values. Not that he's the only one to blame for the off-key notes in this sour big-screen musical.
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We may never know how such rumored movie Phantoms as John Travolta and Antonio Banderas would have fared in the part, it's safe to say that they - and most certainly Crawford - would have been better than Scottish actor Gerard Butler, who simply grunts, barks and yells his way through nearly all of his featured musical numbers. As it turns out, those rabid Michael Crawford fans who were up in arms about the stage star not being cast as the title character in the cinematic version of the "The Phantom of the Opera" musical may have been right.